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  <id>tag:dreamwidth.org,2011-08-27:1084177</id>
  <title>The Mediævalist</title>
  <subtitle>Kickin' it Olde Schoole</subtitle>
  <author>
    <name>The Mediævalist</name>
  </author>
  <link rel="alternate" type="text/html" href="http://mediaevalist.dreamwidth.org/"/>
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  <updated>2012-05-21T19:03:09Z</updated>
  <dw:journal username="mediaevalist" type="personal"/>
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  <entry>
    <id>tag:dreamwidth.org,2011-08-27:1084177:14430</id>
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    <title>Your Mankind Never Changes moment of the day</title>
    <published>2012-05-21T19:03:09Z</published>
    <updated>2012-05-21T19:03:09Z</updated>
    <category term="literature"/>
    <category term="world history"/>
    <category term="cracked.com linkage"/>
    <dw:mood>amused</dw:mood>
    <dw:security>public</dw:security>
    <dw:reply-count>0</dw:reply-count>
    <content type="html">&lt;a href="http://www.cracked.com/article_19084_5-reasons-pop-culture-run-by-fan-fiction.html"&gt;Fanfiction is even older than the examples here.&lt;/a&gt;  &lt;br /&gt;&lt;br /&gt;Around 4000-ish years ago, some Akkadian combined a bunch of Sumerian poems about an ancient king into a RPF slashfic.We know it today as the &lt;a href="http://en.wikipedia.org/wiki/Epic_of_Gilgamesh"&gt;Epic of Gilgamesh&lt;/a&gt;. &lt;br /&gt;&lt;br /&gt;That's right folks: our oldest piece of literature is a fanfic. And an RPF slashfic, at that.&lt;br /&gt;&lt;br /&gt;&lt;img src="http://www.dreamwidth.org/tools/commentcount?user=mediaevalist&amp;ditemid=14430" width="30" height="12" alt="comment count unavailable" style="vertical-align: middle;"/&gt; comments</content>
  </entry>
  <entry>
    <id>tag:dreamwidth.org,2011-08-27:1084177:13961</id>
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    <title>Modeling the Joust</title>
    <published>2012-02-07T03:38:49Z</published>
    <updated>2012-02-07T03:38:49Z</updated>
    <category term="jousting"/>
    <category term="european history"/>
    <dw:security>public</dw:security>
    <dw:reply-count>0</dw:reply-count>
    <content type="html">&lt;a href="http://www.medievalists.net/2012/02/05/modeling-the-joust/"&gt;Modeling the Joust&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;More of a physics thing, but awesome nonetheless.&lt;br /&gt;&lt;br /&gt;&lt;img src="http://www.dreamwidth.org/tools/commentcount?user=mediaevalist&amp;ditemid=13961" width="30" height="12" alt="comment count unavailable" style="vertical-align: middle;"/&gt; comments</content>
  </entry>
  <entry>
    <id>tag:dreamwidth.org,2011-08-27:1084177:13678</id>
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    <title>Malkin Tower possibly found?</title>
    <published>2012-01-07T02:56:08Z</published>
    <updated>2012-01-07T02:56:08Z</updated>
    <category term="great britain"/>
    <category term="european history"/>
    <dw:security>public</dw:security>
    <dw:reply-count>0</dw:reply-count>
    <content type="html">&lt;a href="http://www.bbc.co.uk/news/uk-england-lancashire-16066680"&gt;'Witch's cottage' unearthed near Pendle Hill, Lancashire&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;Complete with the bones of a cat bricked into the wall, probably buried alive.  Poor kitty.&lt;br /&gt;&lt;br /&gt;&lt;blockquote&gt;Engineers have said they were "stunned" to unearth a 17th Century cottage, complete with a cat skeleton, during a construction project in Lancashire.&lt;br /&gt;&lt;br /&gt;The cottage was discovered near Lower Black Moss reservoir in the village of Barley, in the shadow of Pendle Hill.&lt;br /&gt;&lt;br /&gt;Historians are now speculating that the well-preserved cottage could have belonged to one of the Pendle witches.&lt;br /&gt;&lt;br /&gt;The building contained a sealed room, with the bones of a cat bricked into the wall.&lt;br /&gt;&lt;br /&gt;It is believed the cat was buried alive to protect the cottage's inhabitants from evil spirits.&lt;br /&gt;&lt;br /&gt;...&lt;br /&gt;&lt;br /&gt;Simon Entwistle, an expert on the Pendle witches, said: "In terms of significance, it's like discovering Tutankhamen's tomb.&lt;br /&gt;&lt;br /&gt;"We are just a few months away from the 400th anniversary of the Pendle witch trials, and here we have an incredibly rare find, right in the heart of witching country. This could well be the famous Malkin Tower - which has been a source of speculation and rumour for centuries.&lt;br /&gt;&lt;br /&gt;"Cats feature prominently in folklore about witches. Whoever consigned this cat to such a horrible fate was clearly seeking protection from evil spirits."&lt;/blockquote&gt;&lt;br /&gt;&lt;br /&gt;&lt;img src="http://www.dreamwidth.org/tools/commentcount?user=mediaevalist&amp;ditemid=13678" width="30" height="12" alt="comment count unavailable" style="vertical-align: middle;"/&gt; comments</content>
  </entry>
  <entry>
    <id>tag:dreamwidth.org,2011-08-27:1084177:13381</id>
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    <title>Mediaeval Knights and Post-Traumatic Stress</title>
    <published>2012-01-07T02:41:10Z</published>
    <updated>2012-01-07T02:41:10Z</updated>
    <category term="the not-so dark ages"/>
    <category term="politically-incorrect history"/>
    <category term="european history"/>
    <dw:security>public</dw:security>
    <dw:reply-count>0</dw:reply-count>
    <content type="html">&lt;a href="http://sciencenordic.com/violent-knights-feared-posttraumatic-stress"&gt;Violent knights feared posttraumatic stress&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;blockquote&gt;Medieval knights are often depicted as bloodthirsty men who enjoyed killing. But that is a completely wrong picture, new research shows.&lt;br /&gt;&lt;br /&gt;The knights did not kill just because they wanted to, but because it was their job – precisely like soldiers today. Nor were the Middle Ages as violent as we think, despite their different perception of violence compared to ours.&lt;br /&gt;&lt;br /&gt;“Modern military psychology enables us to read medieval texts in a new way – giving us insight into the perception of violence in the Middle Ages in the general population and the use of lethal violence by knights,” says Thomas Heebøll-Holm of the SAXO Institute at the University of Copenhagen, who researches the perception of violence in the late Middle Ages.&lt;br /&gt;&lt;br /&gt;“Previously, medieval texts were read as worshipping heroes and glorifying violence. But in the light of modern military psychology we can see the mental cost to the knights of their participation in the gruesome and extremely violent wars in the Middle Ages.”&lt;/blockquote&gt;&lt;br /&gt;&lt;br /&gt;There's also a cultural note pointing out that people who lived during the Middle Ages were not more violent than people today, so knights were neither violent by culture nor nature.  On the contrary, PTSD seemed to be enough of a concern for at least one well-respected knight to write on what we identify as PTSD today.&lt;br /&gt;&lt;br /&gt;&lt;img src="http://www.dreamwidth.org/tools/commentcount?user=mediaevalist&amp;ditemid=13381" width="30" height="12" alt="comment count unavailable" style="vertical-align: middle;"/&gt; comments</content>
  </entry>
  <entry>
    <id>tag:dreamwidth.org,2011-08-27:1084177:13296</id>
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    <title>Stonehenge rock source traced to Wales</title>
    <published>2011-12-20T00:07:45Z</published>
    <updated>2011-12-20T00:07:45Z</updated>
    <category term="great britain"/>
    <category term="european history"/>
    <dw:security>public</dw:security>
    <dw:reply-count>0</dw:reply-count>
    <content type="html">&lt;a href="http://www.independent.co.uk/news/science/archaeology/news/scientists-discover-source-of-rock-used-in-stonehenges-first-circle-6278894.html#"&gt;Scientists discover source of rock used in Stonehenge's first circle&lt;/a&gt; &lt;br /&gt;&lt;br /&gt;&lt;blockquote&gt;Scientists have succeeded in locating the exact source of some of the rock believed to have been used 5000 years ago to create Stonehenge's first stone circle.&lt;br /&gt;&lt;br /&gt;By comparing fragments of stone found at and around Stonehenge with rocks in south-west Wales, they have been able to identify the original rock outcrop that some of the Stonehenge material came from.&lt;br /&gt;&lt;br /&gt;The work - carried out by  geologists Robert Ixer of  the University of Leicester  and Richard Bevins of the National Museum of Wales - has pinpointed the source as a 70 metre long rock outcrop called Craig Rhos-y-Felin, near Pont Saeson in north Pembrokeshire.  It's the first time that an exact source has been found for any of the stones thought to have been used to build Stonehenge.&lt;/blockquote&gt;&lt;br /&gt;&lt;br /&gt;However, the debate on whether the stones were quarried and transported by prehistoric humans, or whether glaciers eroded the stones and carried them to the general area where Stonehenge stands today.&lt;br /&gt;&lt;br /&gt;&lt;img src="http://www.dreamwidth.org/tools/commentcount?user=mediaevalist&amp;ditemid=13296" width="30" height="12" alt="comment count unavailable" style="vertical-align: middle;"/&gt; comments</content>
  </entry>
  <entry>
    <id>tag:dreamwidth.org,2011-08-27:1084177:12835</id>
    <link rel="alternate" type="text/html" href="http://mediaevalist.dreamwidth.org/12835.html"/>
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    <title>Machiavelli: bigger cantaloupes than 4chan</title>
    <published>2011-11-22T01:40:14Z</published>
    <updated>2011-11-22T01:40:14Z</updated>
    <category term="politically-incorrect history"/>
    <category term="literature"/>
    <category term="european history"/>
    <dw:security>public</dw:security>
    <dw:reply-count>0</dw:reply-count>
    <content type="html">&lt;a href="http://www.medievalists.net/"&gt;Medievalists.net&lt;/a&gt; has an article which, to me, is a bit old-hat: &lt;a href="http://www.historytoday.com/vincent-barnett/niccolo-machiavelli-%E2%80%93-cunning-critic-political-reason"&gt;Niccolo Machiavelli – the Cunning Critic of Political Reason&lt;/a&gt;.&lt;br /&gt;&lt;br /&gt;The article is a good one, but it's not exactly what I'd call new, even though it presents a more recent interpretation that isn't widely known:&lt;br /&gt;&lt;br /&gt;&lt;blockquote&gt;Now that some of Machiavelli’s most infamous ideas have been presented, various interpretations of them and their underlying motivation can be considered. One unusual interpretation comes from the eighteenth-century historian of philosophy William Enfield, who suggested that The Prince was a satire on the unruly and selfish behaviour of political leaders. Enfield declared that, since Machiavelli was an enemy of despotism in his actual conduct, The Prince was intended to ‘pull off the mask from the face of tyranny’. If it really was meant by Machiavelli as a satire, then it has to be the driest, most bitter and most convincing satire ever written, one that has fooled many commentators and leaders alike for centuries. &lt;/blockquote&gt;&lt;br /&gt;&lt;br /&gt;But even &lt;a href="http://www.cracked.com/article_18787_6-books-everyone-including-your-english-teacher-got-wrong.html"&gt;this article from &lt;i&gt;Cracked&lt;/i&gt; (authored by Peter Davis and  David A. Vindiola )&lt;/a&gt; acknowledges that "[a]ctually, Machiavelli was totally just trolling."  Like the bimbo in one of my English classes who was horrified by Jonathan Swift's &lt;i&gt;A Modest Proposal&lt;/i&gt; for advocating eating children  in an obviously sarcastic manner, (as anyone with comprehension skills beyond Kindergarten level can attest) most folks completely missed Machiavelli's bitter, cynical, and even sarcastic tone.  Or, as Davis and Vindiola put it:&lt;br /&gt;&lt;br /&gt;&lt;blockquote&gt;The context in this case is that the Medici family to whom he dedicated his love letter is the same group who personally broke Machiavelli's arms for being such a staunch advocate for free government. He worked for the Florentine Republic before the Medicis marched in, mowed down the government and mercilessly tortured him, and then he sat down and wrote &lt;i&gt;The Prince&lt;/i&gt; from his shack in exile, assumedly with some really bendy handwriting (on account of the arms). When you learn about that, it kind of adds a new layer of meaning to the text -- it suddenly sounds like it's &lt;i&gt;&lt;a href="http://www.unt.edu/honors/eaglefeather/2007_Issue/kniatt4.shtml"&gt;dripping with sarcasm&lt;/a&gt;.&lt;/i&gt;&lt;/blockquote&gt;&lt;br /&gt;&lt;br /&gt;The article further explores another interpretation of the circumstances:&lt;br /&gt;&lt;br /&gt;&lt;blockquote&gt;Another possibility is that, in writing &lt;i&gt;The Prince&lt;/i&gt;, Machiavelli was articulating only what he believed that the then-current rulers wanted to hear, so that he could win back their favour. On this view Machiavelli himself might not have believed everything he wrote in The Prince, but he thought that a cold amoral attitude to politics might impress his superiors, thus leading to his reinstatement in government. If this interpretation is true, then he was being doubly cynical by cynically advocating scheming distrust as a method of government, while not fully believing in it himself. The actual circumstances of the composition of &lt;i&gt;The Prince&lt;/i&gt; add weight to this interpretation, in that Machiavelli dedicated it specifically to Lorenzo de Medici. It has also been suggested that he composed it quickly, on deciding to take a break from working on the longer Discourses, this apparently coinciding with a period when a new Pope had recently been installed in Rome and a new leader found for Italy. Did Machiavelli hope through &lt;i&gt;The Prince&lt;/i&gt; to influence this new ruler? If so this aim was never actually realised, and Machiavelli died without ever regaining his political position.&lt;/blockquote&gt;&lt;br /&gt;&lt;br /&gt;However, Davis and Vindiola point out that&lt;br /&gt;&lt;br /&gt;&lt;blockquote&gt;For centuries, the consensus on Machiavelli's best-known work has been that he was just trying to brown-nose his way back into the government. But a deeper study of his full body of work reveals that this is a pretty absurd ambition, considering not only did Machiavelli repeatedly say that "popular rule is always better than the rule of princes," but after he wrote &lt;i&gt;The Prince&lt;/i&gt;, he went right on back to writing treatises about the &lt;a href="http://www.unt.edu/honors/eaglefeather/2007_Issue/kniatt6.shtml"&gt;awesomeness of republics&lt;/a&gt;. Considering also that he was no stranger to the literary art of satire, scholars these days are turning to a more likely scenario -- Machiavelli was the Stephen Colbert of the Renaissance.&lt;/blockquote&gt;&lt;br /&gt;&lt;br /&gt;Admittedly, there's no real way to know beyond a shadow of a doubt what Machiavelli's true intentions were.  But comparing &lt;i&gt;The Prince&lt;/i&gt; to all his other work, I have to say I'm not especially convinced he was sucking up.  On the other hand, the evidence for &lt;i&gt;The Prince&lt;/i&gt; being a scathing satire is pretty convincing.&lt;br /&gt;&lt;br /&gt;&lt;img src="http://www.dreamwidth.org/tools/commentcount?user=mediaevalist&amp;ditemid=12835" width="30" height="12" alt="comment count unavailable" style="vertical-align: middle;"/&gt; comments</content>
  </entry>
  <entry>
    <id>tag:dreamwidth.org,2011-08-27:1084177:12568</id>
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    <title>Annual Feis na Samha rant</title>
    <published>2011-10-31T04:06:52Z</published>
    <updated>2011-10-31T17:40:17Z</updated>
    <category term="culture"/>
    <dw:security>public</dw:security>
    <dw:reply-count>0</dw:reply-count>
    <content type="html">It's that time of year, and with Hallowe'en/All Saints' Eve/Feis na Samha around the corner, you know what that means.  It's time for my &lt;br /&gt;&lt;br /&gt;&lt;font size="+2"&gt;Hallowe'en/All Saints' Eve/Feis na Samha rant!&lt;/font&gt;&lt;br /&gt;&lt;br /&gt;As it's well-known, Hallowe'en/All Saints' Eve/Feis na Samha is sort of like Christmas for fluffybunnies.  And so this is my present to you, my dear New Age goofballs: you are not today's victim.  Instead, I am going to rant about ridiculously overcautious parents.  That's right, it's not even a history, culture, or language rant; just a lambast of childhood-killing ninnies.&lt;br /&gt;&lt;br /&gt;From &lt;a href="http://sonoma.patch.com/articles/the-right-way-to-trick-or-treat-halloween-safety-tips"&gt;here&lt;/a&gt;:&lt;br /&gt;&lt;br /&gt;&lt;blockquote&gt;Try to get your kids to trick-or-treat &lt;b&gt;while it's still light out&lt;/b&gt;. If it's dark, make sure someone has a flashlight and pick well-lit streets.&lt;/blockquote&gt;&lt;br /&gt;&lt;br /&gt;NO, YOU FOOLS.  IF IT'S LIGHT OUT, IT'S &lt;b&gt;NOT&lt;/b&gt; HALLOWE'EN YET.  &lt;br /&gt;&lt;br /&gt;This holiday (which is really a festival) was once the New Year's Day of the calendar of cultural peoples collectively called the Celts.  The civilisations of these Celts were agricultural ones and followed a way of measuring days that actually makes more sense than the way we do it now: the next day would effectively begin at sundown.  Technically-speaking, Hallowe'en is the first day of November, beginning at sundown on what we think of as 31 October in our post-industrial calendar.  Hence, the original name of &lt;i&gt;Feis na Samha&lt;/i&gt;, which translates into 'Feast of November'. (NB to fluffies: when you say 'Samhain', what you're really saying is '(the month of) November'.)&lt;br /&gt;&lt;br /&gt;If you want to give your kids the chance to dress up in costumes, just take then to an anime convention.  And you hardly need a special day for loading your rugrats up with sugar (and from strangers, no less).  The darkness is even more a part of the festival than a vinyl Optimus Prime costume from Wal-Mart or a bag of Snickers.  (I am especially disproving of all your jack-o'-lanterns: not because pumpkins are a New World crop and not traditional, but because PUMPKINS ARE NOT FOR CARVING RIDICULOUS SHAPES INTO, THEY ARE FOR EATING.  Stop wasting pumpkins on bad crafting attempts unless you are making something undeniably awesome &lt;a href="https://fbcdn-sphotos-a.akamaihd.net/hphotos-ak-ash4/310320_2513557045059_1437154660_32884268_1394231417_n.jpg"&gt;like this&lt;/a&gt;.) &lt;br /&gt;&lt;br /&gt;Do it right, or don't bother doing it at all.&lt;br /&gt;&lt;br /&gt;&lt;img src="http://www.dreamwidth.org/tools/commentcount?user=mediaevalist&amp;ditemid=12568" width="30" height="12" alt="comment count unavailable" style="vertical-align: middle;"/&gt; comments</content>
  </entry>
  <entry>
    <id>tag:dreamwidth.org,2011-08-27:1084177:12419</id>
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    <title>Today's Bad History Rant</title>
    <published>2011-10-24T23:37:08Z</published>
    <updated>2011-10-24T23:38:09Z</updated>
    <category term="politically-incorrect history"/>
    <category term="european history"/>
    <dw:security>public</dw:security>
    <dw:reply-count>0</dw:reply-count>
    <content type="html">Hey kids! It's time for another...&lt;br /&gt;&lt;br /&gt;&lt;font size="+3"&gt;Bad History Rant!&lt;/font&gt;&lt;br /&gt;&lt;br /&gt;Today's rant is brought to you by a particular song from &lt;i&gt;Night of Hunters&lt;/i&gt; by Tori Amos.  Now, given that we should generally take history from pop songs with a whole damned salt mine, "Battle of Trees" perpetuates a steaming pile of New Age cow pattie that was debunked a really long time ago.  The problem, then, is that this cow pattie persists and sticks to popular culture.&lt;br /&gt;&lt;br /&gt;&lt;span class="cuttag_container"&gt;&lt;span style="display: none;" id="span-cuttag___1" class="cuttag"&gt;&lt;/span&gt;&lt;b&gt;(&amp;nbsp;&lt;a href="http://mediaevalist.dreamwidth.org/12419.html#cutid1"&gt;Bring on the barbecue!&lt;/a&gt;&amp;nbsp;)&lt;/b&gt;&lt;div style="display: none;" id="div-cuttag___1" aria-live="assertive"&gt;&lt;/div&gt;&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;img src="http://www.dreamwidth.org/tools/commentcount?user=mediaevalist&amp;ditemid=12419" width="30" height="12" alt="comment count unavailable" style="vertical-align: middle;"/&gt; comments</content>
  </entry>
  <entry>
    <id>tag:dreamwidth.org,2011-08-27:1084177:12072</id>
    <link rel="alternate" type="text/html" href="http://mediaevalist.dreamwidth.org/12072.html"/>
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    <title>The cumulation of the largest pan-European round-robin fanfic!</title>
    <published>2011-10-05T03:31:12Z</published>
    <updated>2011-10-24T23:46:17Z</updated>
    <category term="arthurian legend"/>
    <category term="the not-so dark ages"/>
    <category term="european history"/>
    <dw:security>public</dw:security>
    <dw:reply-count>0</dw:reply-count>
    <content type="html">I hate the fact that these damned things always seem to be on PDF, but I suppose it's the easiest way to present a Master's thesis.&lt;br /&gt;&lt;br /&gt;&lt;a href="http://www.medievalists.net/2011/10/02/heraldry-and-sir-thomas-malorys-le-morte-darthur/"&gt;Heraldry and Sir Thomas Malory’s Le Morte d’Arthur&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;The fun thing about Arthurian legend is that it's &lt;a href="http://tvtropes.org/pmwiki/pmwiki.php/Main/AnachronismStew"&gt;anachronism stew&lt;/a&gt; from the onset.  European heraldry as we know it really didn't take off until the High Middle Ages, and the historical King Arthur (Arturius, Artuir, &lt;s&gt;Arturia&lt;/s&gt;) lived during the cusp between the Late Roman Period and the Early Middle Ages.  But the anachronism stew is what makes it so entertaining!&lt;br /&gt;&lt;br /&gt;&lt;img src="http://www.dreamwidth.org/tools/commentcount?user=mediaevalist&amp;ditemid=12072" width="30" height="12" alt="comment count unavailable" style="vertical-align: middle;"/&gt; comments</content>
  </entry>
  <entry>
    <id>tag:dreamwidth.org,2011-08-27:1084177:12004</id>
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    <title>And in the "Yeah, I WISH" news...</title>
    <published>2011-09-21T21:59:32Z</published>
    <updated>2011-09-21T21:59:32Z</updated>
    <category term="odd news"/>
    <dw:security>public</dw:security>
    <dw:reply-count>0</dw:reply-count>
    <content type="html">&lt;a href="http://www.thisislocallondon.co.uk/news/9256868.Medieval_home_with_extraordinary_history_up_for_sale/"&gt;Medieval home with extraordinary history up for sale&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;blockquote&gt;A medieval home with an extraordinary history has been put back on the market after being lovingly renovated and could be yours for just £1.3 million.&lt;/blockquote&gt; &lt;br /&gt;&lt;br /&gt;I'm not crazy about the landscaping, though.&lt;br /&gt;&lt;br /&gt;&lt;img src="http://www.dreamwidth.org/tools/commentcount?user=mediaevalist&amp;ditemid=12004" width="30" height="12" alt="comment count unavailable" style="vertical-align: middle;"/&gt; comments</content>
  </entry>
  <entry>
    <id>tag:dreamwidth.org,2011-08-27:1084177:11767</id>
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    <title>John Dee to Edward Kelley: you're an asshat</title>
    <published>2011-09-21T20:38:10Z</published>
    <updated>2011-09-21T20:38:10Z</updated>
    <category term="law &amp; order"/>
    <category term="european history"/>
    <dw:security>public</dw:security>
    <dw:reply-count>0</dw:reply-count>
    <content type="html">I'm sure he considered saying the Elizabethan equivalent.&lt;br /&gt;&lt;br /&gt;&lt;a href="http://earlymodernengland.com/2011/09/scholar-examines-alchemy-mystery-from-16th-century-england/"&gt;Scholar examines alchemy mystery from 16th-century England&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;blockquote&gt;It involves a printer, the far-reaching power of a monarch, possible censorship, three English alchemists dedicated to uncovering the secret of transmutation and a whole lot of unanswered questions. Earlier this summer, Dr. Teresa Burns, University of Wisconsin-Platteville Department of Humanities professor, presented a paper at the Western Michigan University International Congress on Medieval Studies in Kalamazoo that helps to unravel a 16th-century mystery.&lt;br /&gt;&lt;br /&gt;Burns’ topic, which examined the link between the 1591 publication and suppression of the first English printing of George Ripley’s “Compound of Alchemy” and what may have ended a planned long-distance partnership between John Dee and Edward Kelley just a few weeks after it began, was sponsored by Societas Alchimica, a society affiliated with UW-Platteville and led by Burns and colleague Dr. Nancy Turner as vice president and president respectively.&lt;/blockquote&gt;&lt;br /&gt;&lt;br /&gt;Someone write a novel on this, it's fascinating stuff.&lt;br /&gt;&lt;br /&gt;&lt;img src="http://www.dreamwidth.org/tools/commentcount?user=mediaevalist&amp;ditemid=11767" width="30" height="12" alt="comment count unavailable" style="vertical-align: middle;"/&gt; comments</content>
  </entry>
  <entry>
    <id>tag:dreamwidth.org,2011-08-27:1084177:11421</id>
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    <title>Circa 570 in the Chinese calendar</title>
    <published>2011-09-21T20:23:16Z</published>
    <updated>2011-09-21T20:23:16Z</updated>
    <category term="weaponry"/>
    <category term="world history"/>
    <dw:security>public</dw:security>
    <dw:reply-count>0</dw:reply-count>
    <content type="html">&lt;a href="http://mdn.mainichi.jp/mdnnews/news/20110921p2a00m0na016000c.html"&gt;Sword unearthed in Japan bears Chinese sign for year 570&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;blockquote&gt;FUKUOKA -- An ancient sword bearing kanji characters that show the year 570 according to the Chinese sexagenary cycle has been unearthed from an ancient burial mound here, the local education board announced on Sept. 21.&lt;br /&gt;&lt;br /&gt;The discovery made by the Fukuoka Municipal Board of Education is consistent with the Chronicles of Japan, one of Japan's oldest history books, which says Japan imported the Chinese calendar from Paekche, one of the countries that existed on the Korean Peninsula.&lt;/blockquote&gt;&lt;br /&gt;&lt;br /&gt;&lt;img src="http://www.dreamwidth.org/tools/commentcount?user=mediaevalist&amp;ditemid=11421" width="30" height="12" alt="comment count unavailable" style="vertical-align: middle;"/&gt; comments</content>
  </entry>
  <entry>
    <id>tag:dreamwidth.org,2011-08-27:1084177:11017</id>
    <link rel="alternate" type="text/html" href="http://mediaevalist.dreamwidth.org/11017.html"/>
    <link rel="self" type="text/xml" href="http://mediaevalist.dreamwidth.org/data/atom/?itemid=11017"/>
    <title>Carbon nanotubes found in Damascus steel?</title>
    <published>2011-09-20T01:17:02Z</published>
    <updated>2011-09-20T01:17:02Z</updated>
    <category term="weaponry"/>
    <category term="the not-so dark ages"/>
    <category term="technology"/>
    <dw:security>public</dw:security>
    <dw:reply-count>1</dw:reply-count>
    <content type="html">It's a bt of old news, but regardless.&lt;br /&gt;&lt;br /&gt;&lt;a href="http://skullsinthestars.com/2011/09/01/ancient-swords-modern-nanotechnology/"&gt;Ancient swords, modern nanotechnology&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;blockquote&gt;Though science and technology in the modern era have accomplished things that our ancestors couldn’t even dream of, it is still worth remembering that the ancients weren’t dummies.  Through a combination of ingenuity, observation, determination, and probably a lot of luck, these people managed to develop a number of surprising technologies — many of which have been lost to history and have proven surprisingly hard to reproduce today.&lt;br /&gt;&lt;br /&gt;...&lt;br /&gt;&lt;br /&gt;Still, a good understanding of the remarkable mechanical properties of the metal remained elusive.  In 2006, however, researchers at the Institut fur Strukturphysik at the Technische Universität Dresden published the results of their own detailed investigations.  They obtained a small sample of a Damascus sabre from the Berne Historical Museum in Switzerland, and inspected it using high-resolution transmission electron microscopy.  An electron microscope, which uses electrons rather than light particles (photons), can resolve images of objects that are smaller than a nanometer (a billionth of a meter).&lt;br /&gt;&lt;br /&gt;Remarkably, they found the presence of so-called carbon nanotubes, a material that is on the cutting edge of nanotechnology!&lt;/blockquote&gt;&lt;br /&gt;&lt;br /&gt;&lt;img src="http://www.dreamwidth.org/tools/commentcount?user=mediaevalist&amp;ditemid=11017" width="30" height="12" alt="comment count unavailable" style="vertical-align: middle;"/&gt; comments</content>
  </entry>
  <entry>
    <id>tag:dreamwidth.org,2011-08-27:1084177:10849</id>
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    <title>All right, I'll admit it. I'm amused.</title>
    <published>2011-09-07T19:55:34Z</published>
    <updated>2011-09-07T19:55:34Z</updated>
    <category term="scotland"/>
    <category term="odd news"/>
    <category term="art"/>
    <dw:security>public</dw:security>
    <dw:reply-count>0</dw:reply-count>
    <content type="html">&lt;a href="http://www.dw-world.de/dw/article/0,,15367626,00.htm"&gt;Kelburn, Scotland's graffiti castle&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;Not surprisingly, it's caused quite a stir.  And so typically Glasweigan.  We &lt;i&gt;never&lt;/i&gt; take things seriously.&lt;br /&gt;&lt;br /&gt;&lt;blockquote&gt;The Earl of Glasgow, whose family has occupied the castle for the last 800 years, invited four Brazilian graffiti artists to create a work of art on one of the walls in 2007 as a temporary measure. The so-called Graffiti Project involved 1,500 cans of spray paint to decorate the 13th-century castle. It put Kelburn Castle, which lies near the seaside town of Largs on Scotland's west coast, into the top 10 worldwide examples of street art - on the same list as Banksy's work in Los Angeles and Rio de Janeiro's Favela Morro da Providencia.&lt;/blockquote&gt;&lt;br /&gt;&lt;br /&gt;It's the kind of thing you typically see when the scaffolding starts going up around historic buildings in Scotland's usual springtime ritual, not to mention the world over when renovation's being done.  The difference now is that the art itself has garnered so much attention that the family now wants to keep it up.&lt;br /&gt;&lt;br /&gt;Fortunately, it seems like most share my opinion of "Let 'em keep it!"&lt;br /&gt;&lt;br /&gt;&lt;blockquote&gt;Neil Baxter, secretary and treasurer of the Royal Incorporation of Architects in Scotland (RIAS), says Scots take their historic treasures seriously, but believes the right balance must be struck when dealing with old buildings such as Kelburn Castle.&lt;br /&gt;&lt;br /&gt;"The graffiti's a bit of thumbing of the nose at the conservationists who are terribly precious about our environment, and that's always good fun but you don't want to cause the building permanent damage," he said. If the building is fine and stable, there is no harm to it, then fine - paint it bright pink."&lt;br /&gt;&lt;br /&gt;Buildings shouldn't be considered museum pieces, he added, but should continue to contribute to society:  "&lt;b&gt;Buildings are useless if they are not alive.&lt;/b&gt;"&lt;/blockquote&gt;&lt;br /&gt;&lt;br /&gt;I love that quote.  I really do.  In fact, I am shamelessly ripping it off.&lt;br /&gt;&lt;br /&gt;&lt;img src="http://www.dreamwidth.org/tools/commentcount?user=mediaevalist&amp;ditemid=10849" width="30" height="12" alt="comment count unavailable" style="vertical-align: middle;"/&gt; comments</content>
  </entry>
  <entry>
    <id>tag:dreamwidth.org,2011-08-27:1084177:10527</id>
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    <title>Round Table found?</title>
    <published>2011-08-27T06:30:30Z</published>
    <updated>2011-08-27T06:30:30Z</updated>
    <category term="university of glasgow"/>
    <category term="arthurian legend"/>
    <category term="scotland"/>
    <category term="european history"/>
    <dw:security>public</dw:security>
    <dw:reply-count>0</dw:reply-count>
    <content type="html">&lt;a href="http://www.telegraph.co.uk/news/uknews/8724183/King-Arthurs-round-table-may-have-been-found-by-archaeologists-in-Scotland.html"&gt;The Round Table might have been found&lt;/a&gt;.&lt;br /&gt;&lt;br /&gt;Yep, Scootland.&lt;br /&gt;&lt;br /&gt;&lt;blockquote&gt;The King's Knot, a geometrical earthwork in the former royal gardens  below Stirling Castle, has been shrouded in mystery for hundreds of  years. Though the Knot as it appears today dates from the 1620s, its  flat-topped central mound is thought to be much older. Writers going  back more than six centuries have linked the landmark to the legend of  King Arthur.&lt;/blockquote&gt;&lt;br /&gt;&lt;br /&gt;I've seen this mound when I visited Stirling Castle.  At the time, I was more fixated on the crazy-ass story about how James II had murdered the 8th Earl of Douglas when he refused to end his alliance with the Earl of Ross and the Earl of Crawford (which James considered treasonous) by stabbing him 26 times (how did they find that number?) and tossing the body out the window into the garden below.&lt;br /&gt;&lt;br /&gt;If I had know the friggin &lt;b&gt;Round Table&lt;/b&gt; was out in the King's Knot, I would have paid less attention to the possibility of Douglas's ghost wandering around the inner garden.&lt;br /&gt;&lt;br /&gt;&lt;blockquote&gt;Archaeologists from Glasgow University, working with the Stirling Local  History Society and Stirling Field and Archaeological Society, conducted  the first ever non-invasive survey of the site in May and June in a bid  to uncover some of its secrets.&lt;/blockquote&gt;&lt;br /&gt;&lt;br /&gt;Yeah, well. &lt;i&gt;Glasgow&lt;/i&gt;.  There was a reason I was sent there for Celtic Archaeology studies.&lt;br /&gt;&lt;br /&gt;&lt;blockquote&gt;Historian John Harrison, chair of the SLHS, who initiated the project, said: "Archaeologists using remote-sensing geophysics, have located remains of a circular ditch and other earth works beneath the King's Knot.&lt;br /&gt;&lt;br /&gt;"The finds show that the present mound was created on an older site and throws new light on a tradition that King Arthur's Round Table was located in this vicinity."&lt;br /&gt;&lt;br /&gt;Stories have been told about the curious geometrical mound for hundreds of years -- including that it was the Round Table where King Arthur gathered his knights.&lt;br /&gt;&lt;br /&gt;Around 1375 the Scots poet John Barbour said that "the round table" was south of Stirling Castle, and in 1478 William of Worcester told how "King Arthur kept the Round Table at Stirling Castle".&lt;/blockquote&gt;&lt;br /&gt;&lt;br /&gt;Oh, but it gets even better.&lt;br /&gt;&lt;br /&gt;&lt;blockquote&gt;It has also been suggested the site is partly Iron Age or medieval, or was used as a Roman fort.  &lt;/blockquote&gt; &lt;br /&gt;&lt;br /&gt;Considering that most evidence points to Camelot having been a former Roman fort?&lt;br /&gt;&lt;br /&gt;If Camelot turns out to be Stirling Castle, I will laugh my derriere off.  No, seriously, I will.&lt;br /&gt;&lt;br /&gt;But once again, I maintain careful scepticism.  As massively cool as this would be, the evidence must support it.&lt;br /&gt;&lt;br /&gt;&lt;blockquote&gt;Mr Harrison, who has studied the King's Knot for 20 years, said: "It is a mystery which the documents cannot solve, but geophysics has given us new insights.&lt;br /&gt;&lt;br /&gt;"Of course, we cannot say that King Arthur was there, but the feature which surrounds the core of the Knot could explain the stories and beliefs that people held."&lt;/blockquote&gt;&lt;br /&gt;&lt;br /&gt;&lt;img src="http://www.dreamwidth.org/tools/commentcount?user=mediaevalist&amp;ditemid=10527" width="30" height="12" alt="comment count unavailable" style="vertical-align: middle;"/&gt; comments</content>
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